Getting a Handle on Things: Choosing Door Hardware For My 1930s Home.

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When it came to choosing interior door handles for my home, the decision for the doors on the upper floor – bedrooms and bathroom – was easy. The original door knobs from the mid-1930s were still in place and functioning. Some were covered in layers of paint which occupants of the house had applied during those intervening years while my family lived elsewhere but I felt confident they could be restored to reveal the dark brown Bakelite beneath.

Keeping It Authentic

The ground floor rooms required further research. One of my aims with the renovation was to retain original features. I wondered if it might be possible to find a match for the existing, original knobs and achieve uniformity throughout the house. I began an internet search for companies offering replica Bakelite door knobs and handles. I wasn’t disappointed. There were several UK companies selling what seemed to be excellent replica handles, backplates and knobs in dark Bakelite material.

Further Options to Consider

I noticed that if I typed something along the lines of “1930s door handles” into an internet search platform, the results included a second type of product: metal door handles and backplates with Art Deco styling.

At that point, I started to think back to my childhood years spent in that home. By the time we moved into the house in the 1960s, the Bakelite knobs had all gone from the ground floor rooms. Contemporary metal handles had been applied instead. So if I were to introduce new metal door handles into this part of the house, it would not be at the expense of any original features.

Additionally, I started to think more about the practicality of the handles. One day when moving from the kitchen to the sitting room with a cup of tea in one hand and a clutch of papers in the other, I used an elbow to push down on the door’s existing handle to open it. The functional capabilities of a handle were not lost on me.

Still, I felt a little resistant to introducing overtly Art Deco features into this house. This was not an Art Deco building. Rather, it belonged to that class of English thirties suburban ‘semis’ which display architectural components from times past. I remembered, though, that even the most ardent builders of pseudo-historical houses in the 1930s seemed unable to resist including an Art Deco motif here and there. Our own house sported the original wrought-iron garden gates when we moved in and they featured one of the most recurring motifs in Art Deco craftsmanship: the sunburst.

So, the first step towards the decision was made. I would opt for the practicality of metal handles on backplates and go for an Art Deco style which would be in keeping with the era of the property. The next step was to trawl through the wide range of designs meeting that description. There was a great deal of choice.

Finally, the design which caught my eye was the Jedo Deco Suite Lever on Plate designed and produced by Frelan Hardware in England. When my joiner was fitting the hardware to my doors he was impressed with the quality. In my opinion, they are not only beautiful to look at but comfortable to hold and use. I chose the polished chrome version – which seemed most in keeping with the Art Deco theme – and they are extremely easy to keep fingerprint-free and shiny with a light wipe using a dry, soft cloth.

Several UK online retailers stock this line. I purchased mine from Choice Handles, an ironmongery business based in Wales.

Remarkably, these handles are currently retailing for £14.50 per set (the handles are sold in pairs) at the time of writing. I am delighted with my “find” and with my overall decision on these handles and also for the surprisingly low price for this quality.

Details

Frelan Hardware

Website: https://www.frelanhardware.co.uk/

Choice Handles

Website: https://www.choicehandles.co.uk/

A Question of Style

The fog was beginning to clear when it came to finding companies to carry out the renovation work.  Over recent years, I’d come to trust local tradespeople to repair and upgrade my apartment – gas fitters, plumbers, painters and decorators, for example.  Of course, I could turn to them to carry out work for me but what I hadn’t utilised previously was their wealth of knowledge of other locally based, skilled workers.  They knew electricians, builders and joiners they’d worked with on a wide variety of projects and they were confident in making recommendations.  The answer to the question of who would do my work was closer to home than I’d realised!

The next stage involved on-site meetings with a succession of tradespeople to find out who seemed best suited to the brief and to begin to gather rough estimates of costs.  At this point, I had tried to focus on practical tasks such as plumbing and wiring and I’d avoided becoming side-tracked with more superficial questions.  Trivialities such as the wallpaper and furniture I’d like could not possibly be considered at this stage!  Or so I thought.

While discussing possible ideas for lighting and fitted shelving, the electrician and joiner I spoke with wanted to know more about my intended decor styles.  They needed to know that any fittings they would install would be appropriate and in keeping with the intended “look” which was to be achieved.

And that was the moment it all became exciting!  I began to understand that design, decor, styling – whatever we wish to call it – was absolutely integral to the planning and execution of the renovations.  Rather than dismissing thoughts of decor, I needed to know from the outset the style I was aiming to achieve.

This led to a further dilemma.  My natural inclination seemed to favour what I would term “English Country House” styling yet my thoughts kept gravitating back to the concept that homes look best when they are decorated in a style in keeping with the era of the building.  This was a nineteen thirties house, so did that mean I’d need to replicate the interior of an English pre-war dwelling and, effectively, live in a museum? 

I’d also noted – in more recent years – how much I was being drawn to Art Deco shapes and forms and it struck me that it would not be inappropriate to include some features evocative of that style.   This was no Miami Beach Art Deco building however, this was a modest structure built with the very particular features with which suburban housing of 1930s England is associated.  Would Art Deco features look contrived, too theatrical and out of place?  

Would I be restricted by a rigid formula of what an English “thirties” home should or should not contain?  Would I be allowed to blend in a few touches harking back to my love of the English Country House style?   What about my interest in the Arts and Crafts movement – could William Morris put in an appearance anywhere?  And how could I forget Charles Rennie Mackintosh?  Those stylised roses for which Mackintosh is renowned could be squeezed in somewhere, surely?

I realised that there was no one theme which would fulfil all of the decor features I’d love to have in my home.  However, I also realised that choosing an “eclectic” design ran the risk of ending up with a confused, cluttered mess.  I wondered if it could be possible to blend interior design styles in a restrained, controlled way and to produce an harmonious and balanced result.  

The Goring Hotel, London

One sunny, early Spring day, I was enjoying a pre-lunch drink in the lounge of The Goring Hotel in London.  (Stay with me, this is actually relevant!)  For me, this hotel demonstrates English Country House Style (with a very light touch of eccentricity). Relaxing in the lounge, I took in the features around me and as my gaze reached ceiling level I felt a distinct change in atmosphere.  As I stared at the golden-bronze ceiling with its warm glow and muted splendour,  it seemed I was no longer sitting in a grand country home. I’d been transported to Paris at the end of the nineteenth century and I might well have had Toulouse Lautrec sitting next to me!  Whether this was the intended effect of the decor, I can’t say, but that was most definitely my response to it.  I was looking at a seamless blending of styles – of English classic styling set next to a feature which would have looked at ease in a fin-de-siècle Parisian café. 

The Goring Hotel Lobby

So it can be done!  It is possible to mix styles and for the end result to look harmonious and really rather beautiful.  It struck me however, that you’d really have to know what you were doing to pull off such an interior design “mash-up” and get it right.  Unsure I had the ability to achieve such an objective, another question was raised:  who will help me to blend the styling themes I love yet achieve an harmonious integration?

A.P.

31 May 2021

Photo Credits:

The Goring Hotel Exterior: Photo 58984840 © Slawek Kozakiewicz | Dreamstime.com

The Goring Hotel Lift Lobby: A.P.